{"id":1909,"date":"2026-08-25T07:48:28","date_gmt":"2026-08-25T07:48:28","guid":{"rendered":"https:\/\/transpersonalsound.com\/?page_id=1909"},"modified":"2026-08-30T08:01:38","modified_gmt":"2026-08-30T08:01:38","slug":"discografia","status":"publish","type":"page","link":"https:\/\/transpersonalsound.com\/en\/musica\/discografia\/","title":{"rendered":"Discography"},"content":{"rendered":"
\n\t\t\t\t\t\t\t

Discography<\/h1>\n\t\t
\n
\n \t\t\t

Silvina Vergara\u2019s discography traces different stages of a sustained exploration: the voice as an instrument, listening as a practice, and sound as a space for transformation.<\/p>\n\t\t

\n
\n
\n \t\t\t\"Portada\t\t\n<\/div>\n
\n \t\t\t

Remember<\/h2>\n\t\t\t\t\t

Remember was released as a single in 2017 and also took shape as a music video. Historical materials present it as a message of inspiration and reconnection with nature and life. Within her discography, it reads as an invitation to return attention to what sustains everyday experience: the surroundings, presence, and the memory of belonging to a larger web. This interpretation is based solely on the documented historical presentation; it does not attribute an origin story or definitive meaning to the work that Silvina has not confirmed. The recording runs 5:04, and its detailed creative history remains pending editorial recovery.<\/p>\n\t\t

\n \n<\/div>\n\n<\/div>\n\n<\/article>\n
\n
\n \t\t\t\"Portada\t\t\n<\/div>\n
\n \t\t\t

Transmutation<\/h2>\n\t\t\t\t\t

Transmutation emerges from a search for authentic expression: listening inwardly, recognizing what constrains the voice, and making room for a truer way of expressing oneself. The work approaches transformation as a process, not a promise, bringing voice, listening, and change into a single movement. Its historical presentation summarized this direction as the transmutation of fear into freedom; this new editorial reading preserves that idea without turning it into a therapeutic claim. Released as a single in 2015, Transmutation runs 8:54 and is credited \u2117\u00a9 2015 Silvina Vergara.<\/p>\n\t\t

\n \t\t\t\n\t\tRead the full story\n\t<\/a>\t\t\n<\/div>\n\n<\/div>\n\n<\/article>\n
\n
\n \t\t\t\"Portada\t\t\n<\/div>\n
\n \t\t\t

Alma del Viento<\/h2>\n\t\t\t\t\t

Alma del Viento began with listening to a piano composition and evolved into an inner experience that later found form in images. The journey moves toward the wind and the beach, where Silvina portrays a homeless person and notices how the interactions of passersby change. During filming, a stranger who did not know they were recording approached her, offered her flowers, and blessed her day. That unexpected gesture turned the scene into a genuine human encounter. Birds close the sequence, while the wind serves as a thread connecting presence, compassion, and connection. The music video is documented in 2014; the work\u2019s original year remains pending.<\/p>\n\t\t

\n \n<\/div>\n\n<\/div>\n\n<\/article>\n
\n
\n \t\t\t\"\"\/\t\t\n<\/div>\n
\n \t\t\t

Claro de Luna en el Bosque<\/h2>\n\t\t\t\t\t

Claro de Luna en el Bosque grew out of a very specific nighttime experience. Silvina had fallen asleep listening to music and woke at around three in the morning with Beethoven playing. She began to sing and continued almost until dawn. The core of the piece arose from that encounter among a familiar work, the stillness of the night, and a voice appearing without planning. Released in 2013 and also presented as Moonlight Sonata in the Woods, it preserves the feeling of music received in a different state of attention, between sleep, night, and the first light of day.<\/p>\n\t\t

\n \n<\/div>\n\n<\/div>\n\n<\/article>\n
\n
\n \t\t\t\"Portada\t\t\n<\/div>\n
\n \t\t\t

Healing Frequencies<\/h2>\n\t\t\t\t\t

Healing Frequencies occupies a transitional stage in Silvina\u2019s journey. The work expands the exploration that began with the voice and brings it closer to sound, listening, practice, and teaching. Rather than relying on an origin story\u2014which is not yet documented\u2014it is presented through the place it holds in her catalog: a bridge between musical creation and conscious listening. The historical record dates it to 2006 and also lists the title Frecuencias Sanadoras. Its exact format, track list, and detailed credits remain to be confirmed.<\/p>\n\t\t

\n \n<\/div>\n\n<\/div>\n\n<\/article>\n
\n
\n \t\t\t\"Portada\t\t\n<\/div>\n
\n \t\t\t

COLLABORATION \u00b7 DAVID GIBSON \u00b7 GLOBE SOUND HEALING INSTITUTE<\/p>\n\t\t\t\t\t

Silvina y los \u00c1ngeles<\/h2>\n\t\t\t\t\t

It began as a collaboration with David Gibson and the Globe Sound Healing Institute. During that process, Silvina began layering her own voice until she discovered how a single performer could become a complete choir. The work opens the path of her vocal language: the voice appears not only as melody, but as material that multiplies, enters into dialogue with itself, and creates a space for listening. Its original edition dates to 2006, and digital distribution followed in 2013. The album contains three pieces: Pachelbel Canon (Corta), Pachelbel Canon, and Invocation.<\/p>\n\t\t

\n \n<\/div>\n\n<\/div>\n\n<\/article>\n\n<\/div>\n\n<\/div>\n\n<\/section>\n\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Discograf\u00eda La discograf\u00eda de Silvina Vergara recorre distintas etapas de una b\u00fasqueda sostenida: la voz como instrumento, la escucha como pr\u00e1ctica y el sonido como espacio de transformaci\u00f3n. Remember Remember fue publicado como single en 2017 y tambi\u00e9n tom\u00f3 forma como videoclip. El material hist\u00f3rico lo presenta como un mensaje de inspiraci\u00f3n y de reconexi\u00f3n […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":43,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-1909","page","type-page","status-publish","hentry"],"acf":[],"_hostinger_reach_plugin_has_subscription_block":false,"_hostinger_reach_plugin_is_elementor":false,"_links":{"self":[{"href":"https:\/\/transpersonalsound.com\/en\/wp-json\/wp\/v2\/pages\/1909","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/transpersonalsound.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/transpersonalsound.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/transpersonalsound.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/transpersonalsound.com\/en\/wp-json\/wp\/v2\/comments?post=1909"}],"version-history":[{"count":15,"href":"https:\/\/transpersonalsound.com\/en\/wp-json\/wp\/v2\/pages\/1909\/revisions"}],"predecessor-version":[{"id":2067,"href":"https:\/\/transpersonalsound.com\/en\/wp-json\/wp\/v2\/pages\/1909\/revisions\/2067"}],"up":[{"embeddable":true,"href":"https:\/\/transpersonalsound.com\/en\/wp-json\/wp\/v2\/pages\/43"}],"wp:attachment":[{"href":"https:\/\/transpersonalsound.com\/en\/wp-json\/wp\/v2\/media?parent=1909"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}